By the way, the book pictured above where I found my inspiration is: Kooler Design Studio. Quilts of Thimble Creek. Little Rock, AR: Leisure Arts, 2002. The prototype for my quilt was made by Marg Gair. My fabrics were designed by Jo Morton, Studio e, Andover, Moda, and Marcus Bros.
Showing posts with label fabric. Show all posts
Showing posts with label fabric. Show all posts
Sunday, March 9, 2014
Sketchbook Assignment 2: Storytelling from the Everyday
Quilting is a creative activity in which artistic, geometric, mathematical, and needleworking skills are required. At a quilters' jamboree such as The Quilt Fest of New Jersey X, the attendee will see award-winning innovative, traditional, and completely handmade quilts alongside entries from local quilters. The experience is illuminating for some, and inspirational for others. This past Friday at the show, I decided to eschew the brights and pastels I'm usually drawn to, and I acquired a selection of Civil War reproduction blues, browns, and creams. While resting my feet at home after the show, I paged through my quilt books for ideas and looked for something unlike anything I'd done before. Here's the complete story in pictures.
Thursday, February 27, 2014
Sketchbook Assignment 1
Art to Me
My assignment is to represent what art is in my world. (I'm paraphrasing there.) To me, the best art tells a story instead of simply representing an image. I'm very interested in the concept of 'place', so part of the story should be an interpretation of a place, either a specific place or a situation our culture recognizes (in the movie theater, at the zoo). A good piece of art to me will also represent time, culture, history and other elements of the story.| Photo: Margaret Montet |
Art to me can also be an aesthetically appealing representation of form, color, and texture. I'm a quilter, so I will use quilts as an example here. The quilt designer puts fabrics with varied elements together in a satisfying, clever, or exciting way, and adds stitching and sometimes dimension to enhance the texture. Even a traditional pattern can be exciting art if form, color, and texture are used in an innovative way.
| Quilt and Photo by Margaret Montet |
Art to Others
I frequently hear observers of art defending a shocking piece of art by claiming that since it evoked a response from the viewer it is therefore art. I don't subscribe to this philosophy, at least I don't think a reaction by itself designates a work as 'art.' At the same time, even if my reaction to the piece is negative or uncomfortable, I can agree to call it art if it has some original design, construction, form, color, or texture created by a person.
First let me say I usually 'get' Marcel Duchamp. I live near the Philadelphia Museum of Art where there is a fine Duchamp collection, and I find myself explaining his philosophies of art to perplexed companions. I have a hard time appreciating the "Readymades" as art. For example, I can't accept the urinal turned on its side and re-named a fountain. The bicycle wheel on a stool, okay, because it is a combination of two elements and I see them as a new entity. The snow shovel: no. The urinal/fountain: no.
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| Marcel Duchamp, 1917; Fountain; San Francisco Museum of Modern Art, ARTstor ASFMOMAIG_10312704641 |
Labels:
Art,
Art Year,
Duchamp,
experience,
fabric,
mood,
Mummers,
Mummers Parade,
Philadelphia,
photographs,
place
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